This final season keeps leaning on the same old formula, and once again never actually gives its main character any real sense of closure. Quick refresher, our lead is a university student who spends all his time frantically trying to dodge romance. No matter what he does though, the universe just keeps shoving him into one intimate situation after another. A lot of these setups are lifted straight from classic love story cliches. The whole point is watching him come up with creative ways to escape his fate and avoid falling for another guy. This season's still got six episodes, each around 23 minutes, and every episode features two of these tropey flags that could tip him into a BL storyline. Season three left off with Mob possibly caught in a love triangle between his ex Kikuchi and Hatano, the younger guy who's still a minor. Turns out that was all a dream sequence, but what hasn't changed is that Hatano is still into him. The first four episodes basically run through ev...
This gay dance drama from Mexico has a very home-made feel to it, but completely lacks in ints execution of the ambition it probably has. Maybe it takes itself too seriously and in the process leaves audiences wondering what the hell and why there'll are things going on the ay they are. A decent attempt, but how I wish that the characters were more fleshed out so we could really get into the psyche behind the actions that eventually the characters end up taking. A love triangle involving professional jealousy could have been much better.
Sebastian is befriended by fellow dancer Arsenio at ballet auditions. They initially laugh off their obvious mutual attraction, but soon become a fully loved-up couple, pushing each other as performers and even start living together. When the new choreographer Mikael arrives, demanding obedience and perfection; he starts to push everyone's boundaries and starts to make changes. He also has a reputation for liking young boys. The attention he pays to Sebastian begins to make Arsenio jealous, for good reason. Arsenio's close friend who also secretly liked him was the lead dancer whom Mikael fires. The duo decide to sleep with the teacher in hopes that maybe one of them can get the lead part. But the teacher has his eyes on Sebastian, maybe because of his talent or maybe looks. When Sebastian is announced as the lead dancer, limits are pushed where starting from his boyfriend Arsenio, every male dancer starts to get jealous of Sebastian, leading to badly beating him up just before opening night, so that Arsenio can take his position.
In the beginning, the two main characters play as a cute couple oblivious to the pressures around them and do a reasonable job. But its he arrival of new teacher creates this jealousy between them. As things heat up, Sebastian and Arsenio promise not to let things at work interfere with their relationship. But of course they do, in rather harrowing ways. This is an intriguing exploration of the tension between personal and professional lives, as well as more insidious things like abusive behaviour of people in power. You see how the new teacher totally uses his position of power to exploit young men. As Mikael mistreats Arsenio, and Arsenio alienates the company against SebastiĂ¡n, SebastiĂ¡n develops a kind of Stockholm Syndrome with Mikael and gives in into his sexual demands. As actors Sebastian stands out, covering both the innocence and ambition he harbors. He gazes intensely at Arsenio whom he alternately loves and loathes and looks at Mikael with puppy-dog eyes. And of course the dancing, which is true for Arsenio as well. Mikael as the lusty teacher does a good job for making audiences uncomfortable with his presence and gaze. Overall the film had a good subject, but at many places the execution felt amateurish. What this project needed was more depth and more connection of the characters with the audience which was solely missing for me. (4.5/10)

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