This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
This show is backed by a very innovative and intriguing premise and plot. That combined with some genuine performances and a few sentimental moments, this series touches you at various points without going overboard. Sure, the pure science wizards would find all kinds of loopholes in this time travel story, and question the incoherently developed sudden romance, but despite that you won't be able to deny that the show touches you at a certain point with its honesty and wanting to do something new and different. Back in 2007, a ten year old Jae Woo was walking back alone when a kidnapper tries to attack him. He is saved by a law student Ji Hoon, but gets stabbed by the kidnapper and dies. Fifteen years later, Jae Woo is now a university student in Seoul and has returned home on his break. He visits the cemetery to pay his respects to Ji Hoon, the hero who died saving his life. Jae Woo is visibly upset. He remains traumatized by the murder and still has nightmares about what happened...