The starting point of this film proposes an intriguing question: Can music be an instrument of Hate? This is a British indie drama that digs into homophobia, race, and violence inside London's urban and dancehall music scene. JJ's an up and coming MC chasing his music dream and fighting his way toward the Urban Slam finals. He's white and openly gay. After a tense run in with a rival group called The Ilford Illmanics, he ends up in an onstage rap battle against them. Meanwhile his boyfriend Orlando is backstage, where those four guys jump him in a brutal homophobic attack that leaves him with brain damage. The crew gets defended in court by a closeted gay solicitor, the same guy they'd earlier targeted with a homophobic attack in a shop, which is actually how he ended up meeting and falling for a young carer. From there the film follows what happens after the attack and how it hits everyone involved, from the four men's time in prison to JJ, Orlando, and the people ...
Carlos Jauregui is known as the father of the LGBT rights movement in Argentina, and this documentary is built around old television appearances and interviews with the activists who stood around him. The people who knew him personally and worked right next to him give you the context of that whole era. Jáuregui shows up in a lot of the archival footage, so the film works really well as primary source material. It begins in 1984, when Carlos and another man appeared on the cover of a mainstream magazine and outed themselves in public. That cost him his teaching job at the university. But that article, and the ones after it, got people seeing gay folks for the first time and then got them arguing about it. Carlos was loud about who he was and happy to be in the news, and by dragging homosexuality out of the shadows and not being scared to speak up, he won the admiration of the whole community. Everyone who worked with him respected him deeply, and that never faded even after he died far...