What could have been a decent drama, but this series has a lot of problems, and I'll get to those in a bit. It could've been a proper love story, and technically it is one, but the makers wrote the lead so vulnerable and so delusional that nobody in their right mind can buy what he's doing or agree with it. It's basically a romance between an emotionally open young man and a guy who turns affection into a power game. And guess what, the good guy is the one I'm talking about as the problem here, not the bad guy. Yes, really. It's 10 episodes, each a long 55 minutes. Jimmy's a charming guy who loves flirting with boys, and once he's got one, he moves on to the next. He wants to go after Fah and tries talking to him, but Fah just ignores him. Jimmy's best friend is Teh, whose older brother Toh dreams of running a cafe. When Jimmy meets Toh, he starts flirting with him, and Toh falls completely for him. It turns out Fah and Toh are good friends too, and ...
The starting point of this film proposes an intriguing question: Can music be an instrument of Hate? This is a British indie drama that digs into homophobia, race, and violence inside London's urban and dancehall music scene. JJ's an up and coming MC chasing his music dream and fighting his way toward the Urban Slam finals. He's white and openly gay. After a tense run in with a rival group called The Ilford Illmanics, he ends up in an onstage rap battle against them. Meanwhile his boyfriend Orlando is backstage, where those four guys jump him in a brutal homophobic attack that leaves him with brain damage. The crew gets defended in court by a closeted gay solicitor, the same guy they'd earlier targeted with a homophobic attack in a shop, which is actually how he ended up meeting and falling for a young carer. From there the film follows what happens after the attack and how it hits everyone involved, from the four men's time in prison to JJ, Orlando, and the people ...