True to its title, this show tries to capture burnout not as some big dramatic collapse but as this slow, draining exhaustion that quietly eats away at relationships and how you see yourself, and honestly it makes the characters feel really real. The pace is slow on purpose, and everyone here is flawed and full of contradictions, nobody's simple. It uses this messed up boss and employee dynamic to sneak in some pretty smart commentary on society. The story digs into toxic work culture, mental health struggles, and how money ends up running our lives whether we like it or not. And yeah, there's a love triangle thrown in too, because of course there is. This one runs ten episodes, each around 45-55 minutes. Jira's twenty eight, broke, and struggling to make it as a painter. Nothing's going right for him, his art isn't selling, he's got no steady job, and he's basically on the edge of falling apart. His best friend Ing does what she can, finding him odd jobs an...
My Dear is a self-reflective documentary about the will of a young Chinese director Yao to express his own sexual identity in Europe. Shifting between observational footage, paper puppetry, and poetic symbolism, he explores expressions of sexual identity in this essay about queerness, immigration, and performance. (A question I have is, since Yao was living in Budapest, why is the country of origin shown as Portugal?) Yao, a Chinese national, is nearing the end of his two year European college education. Yet the 26-year-old is reluctant to return to China because he is already being pressured by his parents to come back home, get married and have kids. This closeted gay man has been in a relationship with Asim, a gay Iranian living in China for almost 6 years now, but no one in China knows this. He thought that coming to Europe would liberate him but now that he is finishing studies and finding a job is becoming increasingly hard, choices for him are minimal. He realizes that mayb...