It is honestly exhausting to sit through another terrible series like this. I have noticed the same group of actors popping up in several of these subpar Filipino BL projects before, and they just don't seem to get any better. The production value is bottom-tier, the acting is painful to watch, and there is hardly enough plot here to even justify calling it a show. I get that a lot of these were made as passion projects during or right after the pandemic, but it is 2026 now, and there is just no excuse for this kind of poor execution. It really should have just been a quick short film instead of stretching it out. At least it only has six episodes that run about 15 minutes each, so you can fly through it pretty fast if you’re unlucky enough to start it. The plot is about as basic as it gets. We follow a guy named Sam who is stuck in a major emotional rut. He has been in a steady, loving relationship for years, but he can't stop obsessing over his ex, Travis. Apparently, Travis ...
My Dear is a self-reflective documentary about the will of a young Chinese director Yao to express his own sexual identity in Europe. Shifting between observational footage, paper puppetry, and poetic symbolism, he explores expressions of sexual identity in this essay about queerness, immigration, and performance. (A question I have is, since Yao was living in Budapest, why is the country of origin shown as Portugal?) Yao, a Chinese national, is nearing the end of his two year European college education. Yet the 26-year-old is reluctant to return to China because he is already being pressured by his parents to come back home, get married and have kids. This closeted gay man has been in a relationship with Asim, a gay Iranian living in China for almost 6 years now, but no one in China knows this. He thought that coming to Europe would liberate him but now that he is finishing studies and finding a job is becoming increasingly hard, choices for him are minimal. He realizes that mayb...