This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
I am not very sure what was the point of the director behind this film. I mean this could have been an excellent play (which I believe it is based on) but from a theme perspective, it was a little confusing. The film is a commentary on relationships and sexuality. It did shows how a self-indulgent bisexual man restructures the lives of 3 people as he introduces them to new sexual adventures. 50 year old suave businessman Leopold picks up a shy 19 year old boy Franz and brings him back to his house. They both indulge in a verbal game of seduction. Their motive is clear but they play with words. Franz tell Leopold about his girlfriend Anna and how they are going to get married and Leopold tells him about his fiance. Act 1 concludes with Franz lying naked waiting for Leopold. Act 2 shows the 2 men living together, just like a married couple, fighting over every little thing. Franz is in stay home wife mode taking care of Leopold. Meanwhile Leopold is clearly a tyrant in his own plac...