This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
Finally I get to see a decent film after a series of trashy gay films. At least this film had a message, a theme, a meaning and emotions behind it. It was not just mish mash of hot men having random sex and trying to bring out some erratic story to big screen. This film tells us the real life story of Pedro, a young AIDs activist who lost his life to the disease at the age of 22. Pedro, a young Latin guy is diagnosed with HIV at the age of 17. Instead of sulking, he makes a courageous decision to dedicate ret of his life speaking at various events, college etc about HIV and try to create awareness among people. In such a time, MTV asked him to feature in their reality show "The Real World", so that people can know the real Pedro. It i during this phase that he meets the love of his life whom he ends up marrying. Slowly Pedro's health start deteriorating and even before the show could go on air, he is hospitalized. WHile in hospital, he gets so popular for his work he is ...