This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
For any documentary to be successful, it is very important for it to hold viewers attention. Tell a story that has something important to say, incorporate key characters and their interactions and present in a way that viewers wanna know whats going to happen next. Sadly, this documentary miserable fails in the latter. It does have an important story to tell. But it is so long and drawn and boring that within 30 minutes into it and you have already completely lost the interest. Based on the stories from the Children-404 social networking project, which offered Russian (and international) youth a channel to express themselves and seek or offer support, this documentary’s name wants to say that ‘visibility is vital’. In 2013, Russian President Vladimir Putin passed a bill forbidding the “promotion of nontraditional sexual relations to minors.” LGBT youth, now defenseless against insults and intimidation under this “gay propaganda” law, are considered sick, sinful and abnormal. The t...