This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
A refreshingly funny and heartwarming story about a gay couple and how their life changes after one incident forms the crux of the story. Its not entirely comical but the situations have been handled in alight way so thaw the viewer doesn't feel too pressured. One night at a party Annie gets Ron high on drinks and makes out with him. Next day Ron asks her to forget that anything ever happened. But soon Annie becomes pregnant and asks Ron to marry him. He says he cannot since ha has a partner Nick. She doesn't believe even after Ron introduces Nick to Annie. Few days later she unabashedly walks in their house saying that she cannot take charge of baby alone and Ron needs to support (all this while she thinks she can have Ron). Both don't like the idea but they have to give in. Here starts all kinds of funny situations in the family with both Nick and Annie trying to get Ron's attention. How Nick's insecurities come in his way. Annie and Nick who initially don't g...