This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
A pretty good indie film with art-house character study, embellishes some great performances from its lead characters. Mad win s a very small budget. Christopher Plummer deservingly won the academy award for his supporting role in this film. The story of the film is very simple and straight forward. The first half of the movie focuses on Oliver and his ailing father. After his mother's death, Oliver's father told him 2 things: first he has cancer and second he is gay. Oliver is shocked but he still tries to keep his calm and understand his father. Apart from his father's lover, he is always there for his father whenever he needs it, be it for any gay party, gay events or just taking care of him. We see a lot of incidents that Oliver and his father spend time with each other striving to cultivate their relationship and grow it. We also see Oliver's childhood in flashback where the parents are attempting to make the best of their marriage of convenience. After his fa...