This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
Real Fiction (USA) Zack and AJ are a couple. Zack wants to make it big in the writer's world but to get his book noticed, he will have to sleep with an old guy Damien and continue till he succeeds. He takes this offer up after discussing with AJ but this soon starts to strain their relationship. The end is sad where AJ ends up killing Damien because of jealousy and gets arrested and meanwhile Zack has now lost his glory, his love and his family. Classic tale of ambition. This story if done well could have ended being a full fledged film but the short story leaves a lot to be desired. (4/10) Who Leads (USA) Within a few hours, one couple ends and another begins. Adam is leaving Trent, ending their dysfunctional relationship. Jordan, a mover and recent San Francisco transplant, crosses paths with their roommate Spencer. Their intense connection is questioned as they watch the disintegration of Adam and Trent. Who leads when four men come together? Interesting concept but it too...