I've always had kind of a love hate relationship with Chinese historical BLs. Some are genuinely excellent, but then there are others that cram in so much plot that keeping track of all the layers of betrayal and scheming gets exhausting, and I end up checking out mentally. Part of the issue is also just how much content is out there in this space, so something really has to stand out to keep me hooked. In this case, the production value is genuinely impressive, top tier stuff, but story wise, I just couldn't bring myself to actually care about these characters. There's a ton of political scheming and backstage manipulation running throughout. Somewhere in the middle of all that chaos, a hostage ends up falling for his own Prince Charming. The show runs eight episodes, each around 50 to 60 minutes long. After spending three years guarding the border, Fifth Prince Yin Qi gets called back to the capital because of a secret letter, only to end up walking straight into a deadly...
Watching a filmed stage play on TV can honestly go either way, but this Lincoln Center Theater production of The Nance shows exactly how to do it right. Having Nathan Lane anchor the whole thing as a Depression era comic who plays pansy parts in burlesque shows definitely helps a ton. He's genuinely fantastic in the role. That said, running close to two and a half hours, it does take real patience sitting through a stage play from your couch instead of watching it live in person. I guess what I'm getting at is this review's going to be pretty personal, and plenty of people will probably feel differently about it than I do. The Nance is set in 1930s New York City, during a time when being anything other than straight wasn't just frowned upon, it was treated as criminal. Back then there was this whole world of cheap, sleazy shows called burlesque, featuring women in revealing outfits dancing around while a lot of raunchy adult humor filled out the rest of the show. One re...