This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
Yet another addition to the growing list of films that focus on AIDS related issues. Although, this film came way back in 1994, not every film is capable of managing viewers attention. This film is too theatrical with only three people in the film enacting their interactions withgloom, doom and dark (as the subject demands). Choreographer Chris is suffering from AIDS and is waiting on his death bed. Chris has decided to end his life via a doctor-assisted suicide, and film covers his last moments with his lover, Val. They eat a final meal together and reminisce about happier times. He surrounds himself in his last hours with everything that made his life special and creates his ultimate work of art by choreographing his own death. What's shocking for me to hear is that the lead actor who plays Chris died from AIDS-related causes four days after shooting wrapped on this film. I guess this was supposed to be his swan song and a tribute of sorts. To be honest, I would have been a bit h...