This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
I loved the first two seasons of the show. Satire comedy at its best. But something is different this season. It's either my mental state or the show itself. But I tried to watch this in several sittings because at any given point, the show just did not grab my attention. This season the series goes more into deep dark existential crisis for the family especially the brother-sister duo while keeping the dialogues and situations sharp. Still, not even one single episode made me say Wow. So, I am sorry but the season 3 of this show just did not do for me. This season also has 10 episodes of about 30-35 minutes each. At the end of season 2 we saw that all the family members are doing well for themselves. Brooke is engaged now to her boyfriend but she has this insecurity of wanting to do good. She leaves the industry but whatever she tries, she doesn't enjoy. She always feel like others are judging her, which also leads to a rift and eventual breakup of engagement. Cary is going th...