This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
This documentary is primarily about the maker searching the clubs and red-light districts of Tel Aviv for a trans woman rumored to have traveled there secretly from Gaza on foot. While the camera remains trained on various women through piercing close-ups, rare are the moments when the movie widens its scope, despite gesturing toward a larger picture. There is an old photograph that the maker have of this girl, a rumored trans woman who escaped the militarized confines of Gaza. The exact story of this phantom beauty seems to shift with each new person interviewed — one subject leads to the next in search of the Belle — and whether she exists at all, as a real person or a political fantasy, is frequently in doubt. Each girl tells a different possibility, implying what might happen to this Belle were she or her Palestinian origins discovered — deportation, or worse — while hinting toward the nightly troubles each of these women must navigate. The documentary interweaves the often tragic ...