This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
The first gay disco, Studio One in Los Angeles, was a safe space for the gay community from 1974-1993. This documentary is a loving look at the iconic gay disco and its legacy. Replete with pictures of events at Studio One and at its adjoining music and dining venue The Backlot that vividly recall its heyday, the film remembers it as a vital place where gay people could be themselves and which also became a popular spot for celebrities eager to demonstrate Hollywood's liberal side. The building was slated to be demolished in 2018, and this film provides an oral and visual history of the club as the local board determines its fate. A handful of “survivors” of Studio One, including comedy legend, Bruce Vilanch, return to the club to recall its glory days. With a capacity of over 1000, this cavernous club and adjoining cabaret called The Backlot attracted hordes of mostly white gay men and the Hollywood elite throughout such historical touchstones as the sexual revolution and the heig...