This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
Don't let the title mislead you. This is a good coming-of-age story of a boy raised and living in farm that comes with its share of fun and tragedy. Based on true events, this film takes you in the psyche of its characters and shows homophobia and what it can do to people. Teenager Marcos lives with his family on a rural farm. He is a very shy kid and we see him wanting to experiment with cross dressing. When his father suddenly dies, he has to share responsibilities with his brother and mother of the farm. On the carnival night, he dresses as a seductive girl pretending to be Marilyn. The town goon likes him and rapes him after the carnival, which I believe Marcos secretly was looking forward to. But because of this, his secret is outed to his family and his mother burns all his clothes. Fortunately, things take a positive turn when Marcos meets openly gay peer Federico at a convenience store in town, and the two begin a relationship. Federico's family accepts Marcos but ...