I've always had kind of a love hate relationship with Chinese historical BLs. Some are genuinely excellent, but then there are others that cram in so much plot that keeping track of all the layers of betrayal and scheming gets exhausting, and I end up checking out mentally. Part of the issue is also just how much content is out there in this space, so something really has to stand out to keep me hooked. In this case, the production value is genuinely impressive, top tier stuff, but story wise, I just couldn't bring myself to actually care about these characters. There's a ton of political scheming and backstage manipulation running throughout. Somewhere in the middle of all that chaos, a hostage ends up falling for his own Prince Charming. The show runs eight episodes, each around 50 to 60 minutes long. After spending three years guarding the border, Fifth Prince Yin Qi gets called back to the capital because of a secret letter, only to end up walking straight into a deadly...
I have been hearing of this film for a very long time now. Touted as the first ever film from Pakistan to feature in Cannes festival, it also won the Queer Palme award and has been getting rave reviews almost eevrytime I have read anything about the film. Naturally my curiosity got the better out of me and I can now se why the film is so special. With a very sensitive story, vibrant visuals, a family dynamics that's easy to relate to; the film is a sublime tale of love, loss and coming out in its own unique way. There are no villains per se, except for the social expectations of individuals and how they are supposed to live. Using Haider, as its main protagonist, the film tries to show us the rigidities of our society, in this case gender and sexuality, and the quiet and painful ways in which they manifest. The story is about a joint family whose younger son is Haider. He is married to Mumtaz, who works in a beauty parlor while he stays home helping his elder brother's wife wit...