This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
My first experience with Israeli cinema and I must say I was pretty impressed. The movie part in Hebrew and part in Arabic shows what the people have to go through because of war and extreme political situations. The movie starts with a scene from a checkpoint on the Israeli-Palestinian border. This confuses the viewer as to what kind of movie is this. But very soon the whole plot is established. Naom, one of the guys from the checkpoint lives in Tel Aviv with a girl Lulu and a gay roommate Yelli. Lulu is in search of the perfect guy who does not want just sex but wants much more to life. Yelli works in a cafe and is shown as a fun loving guy. The story begins when Ashraf , a guy from the border while Naom was working shows up at his door. He lost his id and had found Naom's id. There is instant spark and the 2 guys ended up sleeping together. Their love slowly starts to grow even though knowing that because of Ashraf being Arab and Naom being a JEw , there is absolutely no future ...