I've always had kind of a love hate relationship with Chinese historical BLs. Some are genuinely excellent, but then there are others that cram in so much plot that keeping track of all the layers of betrayal and scheming gets exhausting, and I end up checking out mentally. Part of the issue is also just how much content is out there in this space, so something really has to stand out to keep me hooked. In this case, the production value is genuinely impressive, top tier stuff, but story wise, I just couldn't bring myself to actually care about these characters. There's a ton of political scheming and backstage manipulation running throughout. Somewhere in the middle of all that chaos, a hostage ends up falling for his own Prince Charming. The show runs eight episodes, each around 50 to 60 minutes long. After spending three years guarding the border, Fifth Prince Yin Qi gets called back to the capital because of a secret letter, only to end up walking straight into a deadly...
This is a very different film. It shows the role of a parent in our modern society, the role of a child, the relationship, the friendship. Its a story about a father and son, so comes the question why is this a gay film? Well, The best friend of the father happens to be gay, so the film on a side also focuses on gay-straight men friendship and how it can all be pure, real and unapologetic. MartÃn is a wealthy writer who left his family in Buenos Aires five years ago to live and work in Madrid. He has a nineteen year old son Hache who is a restless, foundationless teenager who refuses to go to school preferring to simply play his electric guitar and run with the drug crowd. His mother has remarried and has a new baby and Hache is feeling like a third wheel. He accidentally overdoses on alcohol and drugs and his mother notifies MartÃn that Hache has attempted suicide to induce MartÃn to return to Buenos Aires and take back his son Hache. In Madrid, MartÃn has been living the life of a re...