This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
This Greek documentary celebrates the radical roots and ongoing bravery of queer performers who defy gender norms, especially in more conservative societies. The film takes portrait of ten provocative, gender-exploding artists from Greece’s queer underground. One after the other, they introduced themselves, their type of drag, their message and their influences. After these solo sections, they all get together to discuss the drag sphere in Athens, what it means to do this art and how it is met by the Greek society. Habit-clad, heavy make-up-wearing Er Libido hands leaflets encouraging unsuspecting drivers to support abortion. Aurora Paola defaces the Greek flag by painting the Albanian one on top of it (potentially a criminal offense?). Veronique plays opera for the police. These subversive artists seek to infuse the deeply conservative European capital with a message of tolerance and hope. They vigorously confront racism, xenophobia, LGBTQ-phobia, fascism, jingoism, and the dirty mach...