This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
An interesting film that subconsciously debates love between two men; one a gay man for whom homosexuality is a black-or-white concept and the other who is not ready to choose a side because he needs to figure out the impact on not just him but people around him as well. I have been part of many conversations where gay men question the whole concept of ‘bisexuality and this film does a very interesting t make on the whole theme. Its a thoughtful, beautifully acted and nuanced film that makes you think. Bruno, architect by profession, has recently moved out of his home, leaving behind his wife and son. They are not separated. He just needs time alone to think and figure out what he wants to do with his life. He is hired by city commissioner to design a new monument in Santiago that would mean something to the city. The commissioner also introduces him to Fer, a free spirited tour guide who knows the city inside out so that Bruno can make a more informed decision. Fed is young, fun,...