This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
When I saw that this film was by the same director of the film " The Blossoming of Maximo Oliveros", it got me excited. I liked that film and was expecting something similar. This film is not great by any means but it is definitely different. It is a funny and touching story of a up and coming teenage poet who also happens to be a gay boy. A teenage boy goes into a gay nightclub one Saturday night and it is empty except for those who work there and the usual crowd. "Boy" has never been to the club before and knows nothing about the gay lifestyle so he has no idea of the rules that are followed. Suddenly an 18 year old dancer Aries takes the stage and boy is mesmerized although he does not understand what has caused the attraction. The boy gets so attracted to Aries that he sells his prized collection of comic books and action figures to gather enough money so that he can bring Aries home on New Year’s Eve. When he does that, the boy's mother suspects something ...