This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
There was something raw, real,fascinating, natural about this movie that I loved. It was not filmy or made up any away. It was very real, the actors were real, story was real, it was different but nice different. With a completely original story line and direction, this movie is worth a watch. Peter, a gay schoolteacher from from an elite school in capital to tach in the country because he felt dominated by his mother in school. Later we find out that he also broke up with his boyfriend whom he actually never loved. So basically he is trying to run from everything and everyone. Peter who is always depressed soon meets Marie, a farm working widow who has had her troubles in life and her teenage son Lada who is young and beautiful but lives in guilty complex because he thinks he is not smart. He has a girlfriend who comes to visit him every weekend from the city. Together Marie and Lada run a dairy farm. Everyone is frank and open and there is nothing hidden. Marie once shows some intere...