This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
I had seen the part 1 of this film back in 2010. God! How time flies. I knew that there was a sequel to this movie, but somehow I did not get my hands on it until now. Well! It's never too late. Made 8 years after the original, this sequel takes the story forward of Brin and his mother and aunt. Having read my original review, I quite liked the fit, but then those days were different. I was relatively new to watching queer content and was just happy to see whatever I can. Now that I have seen more than enough, I can say that I may not have rated the film as high today. Havig said that, strictly as a pure comedy, this sequel is not bad. You just have to not look for logic, but immerse yourself in this simple, fun-loving story. Brain and hs go-go boy fiancé Chase are now preparing for their wedding, with his over-enthusiastic mother Mae and aunt Rose (both from part 1) threatening to take over the planning. As the wedding draws nearer, Mae decides to invite Chase's estranged moth...