This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
So this film is inspired/adapted from an actual play that happened in Bolivia in 2015. It became really popular and became part of the national conversation about anti-discrimination laws and homophobia. Apparently, thanks to the play a lot of people started sharing their coming out stories. In an interview, the film maker said "It's so interesting how people try to cover suicide. It's shame. Homosexuality in life was one thing, and the other one is in death. It's a double denial that infuriates me." This film is an interesting case study of that. I personally was not aware of the still existing homophobia in many latin countries especially Bolivia. Sadly, even though the subject of the film is so powerful, I found that the film falters majorly in a very uneven and hard to follow execution. The film starts with us knowing that Gabriel has died after committing suicide and his father telling the news to his ex-boyfriend Sebastian, since he found that Seb was tryin...