This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
Oh what a movie! Even though the climax of the movie left me a little confused, I still cannot deny the fact that it was a brilliantly made film. The casting, the acting, the story, the filming; everything was almost perfect. Robert is a screenplay writer whose script "The Dying Gaul" is being appreciated by a few studious. At one such meeting he meets Jeffery from a big production house who wants to buy his script. The script has been inspired by Robert's boyfriend who died of Aids. Jeffery and others love the script but he can buy the script only if Robert changes the gay guy to be a woman because as per him Americans "hate gays". Robert refuses initially but later gives in when Jeffery proposes one million dollar for the script with the changes. Robert after hesitation gives in because he plans to invest that money for his son (from the days he was married). Robert now starts visiting Jeffrey house where he meets Elaine, Jeffery wife and mother of 2 kids. Th...