It is honestly exhausting to sit through another terrible series like this. I have noticed the same group of actors popping up in several of these subpar Filipino BL projects before, and they just don't seem to get any better. The production value is bottom-tier, the acting is painful to watch, and there is hardly enough plot here to even justify calling it a show. I get that a lot of these were made as passion projects during or right after the pandemic, but it is 2026 now, and there is just no excuse for this kind of poor execution. It really should have just been a quick short film instead of stretching it out. At least it only has six episodes that run about 15 minutes each, so you can fly through it pretty fast if you’re unlucky enough to start it. The plot is about as basic as it gets. We follow a guy named Sam who is stuck in a major emotional rut. He has been in a steady, loving relationship for years, but he can't stop obsessing over his ex, Travis. Apparently, Travis ...
Brian is an open, if not practicing, gay man, while Bryan is a married bisexual who needs the security and respectability of married life while venturing out for the occasional tryst. The whiny Brian has to deal with their engaging in unsafe sex, and the weight of the possible consequences provokes a conversation with the usual issues of commitment and the nature of relationships. Their conversation is marked by its candor and exploratory precision as the topics range from poetry, dream analysis, philosophy and lost opportunities to AIDS, bisexuality, abortion and the politics of sexual position. They are alike yet dissimilar. They non-stop talk about why Bryan did not wear a condom and who does the responsibility lie with. Eventually, the film comes into its own as their defenses break down, and both talk about a hurtful relationship during their years in college-Bryan's with his freshman roommate, Brian's with a woman he got pregnant. There are hugs and tears, and each man tosses out a surprise revelation about his life. Once the conversations end, as expected, the man leaves the house in the morning. Together they were both alone.
One nightstand movies are not easy to make, and ever since I saw Weekend, I have realized that there hav been many more similar films, but they are not easy to execute and hold on to your audience's reactions. The two men are not bad at actors and do what they are asked of, they have good chemistry and are easy on the eyes, but somehow the situation as a whole doesn't do much. The film was probably made on a shoe-string budget and it shows. The topics discussed are relevant right from AIDS, how sex was free-er, the whole discussion on why one of them just didn't wear a condom, their past stories and all that. You feel good hearing all that for first 40 minutes , but then it just goes on and on and you just can't wait for it to end. Although there are merits to the topics that these two men discuss, the whole piece still seems more like a clever exercise than a real-life situation, and there's an artificiality to it all. Few years back, when it came out, I am sure it would have started many conversations around the subject; but as of today, it reduces to being more of a strictly average fair. (4/10)
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