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On The Sea (UK)

This one's a beautiful, tender, quiet romantic drama with a moody atmosphere, set in a tight knit Welsh fishing community. It's a touching story about a man waking up sexually in the middle of his life, and how he, his family, and everyone around him deal with it, which makes it emotional and sentimental without ever getting over the top. The slow burn plays out against a landscape that's as bleak as it is gorgeous, where quiet, closed off men are stuck inside rigid ideas of what masculinity should be. Some people might be reminded of "God's Own Country," but I think both films are lovely in their own way. Jack is a middle aged guy who co-owns a mussel farm with his rough around the edges brother Dyfan, and the tension between the two of them is simmering under the surface right from the start. Dyfan's three sons all help out with the work, while Jack's sulky teenage son Tom keeps skipping out. Jack's been with his wife since they were both 16, and...

Aids: The Unheard Tapes (Documentary Series)

AIDS: The Unheard Tapes is a genuinely powerful three part BBC2 documentary that digs into audio recordings from the eighties and nineties, pulled from the British Library's archives, to piece together what the early HIV and AIDS crisis actually looked like in the UK. These recordings get brought back to life through carefully recreated period settings, with actors lip syncing the original voices. That's paired with present day interviews featuring activists, scientists, and doctors who were on the front lines fighting the virus and pushing back against all the misinformation and homophobia surrounding it. Each of the three episodes runs about an hour, and I'll just say upfront, this might be the single most important documentary made about AIDS history from a UK angle, and it should honestly be required viewing for everyone, especially within the gay community.

The documentary opens at a point where homosexuality had already been decriminalized for fifteen years, yet arrests for gross indecency had actually tripled during that time. Then London's first gay club, Heaven, opens its doors, and out of that grows this whole underground nightlife scene, described as sexually charged spaces that formed in direct defiance of a world that hated them. Sleeping with as many men as possible became its own form of rebellion and freedom. But then reports start surfacing about a rare cancer showing up in gay men in America, and theories start swirling, some wondering if it was manufactured on purpose, others debating how exactly it spread. Watching once healthy, strong men rapidly waste away and die was terrifying to witness. The government, predictably, barely responded, which pushed organizations like Gay Switchboard and the Terrence Higgins Trust to step in and start their own campaigns around safer sex and unbiased information. By 1984 an antibody test existed, but testing positive was essentially a death sentence since there was no treatment available at all. The Terrence Higgins Trust worked to get information about safe sex and healthier alternatives into gay men's hands by handing out leaflets in clubs and bars. People living with the virus tried to take care of themselves while having almost no real information about what was actually killing them. And of course, the media jumped in too, piling blame and shame onto gay men across the board. From there the story shifts to the discovery of AZT and how it was tested on gay men with basically no success. It's only once the virus starts spreading into the heterosexual population that the government actually starts paying attention and taking real action. Suddenly it made financial sense for pharmaceutical companies to invest in finding a cure. It wasn't until later, around 1996, that doctors figured out combining three different drugs together could actually stop the virus from replicating, and that discovery completely changed the odds of survival for people living with HIV.

These tapes, now sitting in the British Library's archive, had never been aired publicly before this. And in the documentary itself, actors lip sync along to them. On paper that sounds like it could go horribly wrong, but somehow it works beautifully. I was skeptical going in when I realized actors would be lip syncing to the actual archival interviews. It took a few minutes to stop being distracted by that choice, but once I did, I was completely absorbed in what was actually being said. Every actor brings real weight to playing these HIV and AIDS patients, some of whom didn't survive and others who are still alive today. Combining these performances with real archival photos and footage makes these people feel like actual individuals rather than nameless statistics. I genuinely felt like I got to know these fully realized people as they shared their stories and dropped piece after piece of hard earned wisdom. It's handled with real care, and it matters that we remember just how badly the government failed to act and how undeserved the stigma was that got attached to a diagnosis for so many years. The series follows men identified only by first name, including David, Pete, John, Tony, Michael, Jonathan, and Tony O. Their firsthand accounts, recorded back when it was actually happening, offer a real window into what it felt like to first hear about this virus and then have to process a diagnosis in the middle of so much fear and stigma. We've heard versions of this story before, but this is the first time I've seen one that also captures the joy that existed before AIDS entered the picture. It actually celebrates the same hedonistic lifestyle that was once blamed for causing the virus, instead of shying away from it. That kind of open, unapologetic honesty says a lot about how far things have come since 1982. It's a story woven from grief, pride, and hope all at once, each one deepening the others, coming together into a genuinely moving tribute to everyone who lived through it and everyone who didn't make it. 

It's powerful filmmaking, honestly one of the best documentaries I've ever watched. Even the most hardened homophobe would struggle to look away from the pain on display here. Hearing these stories of love and loss told directly in these people's own words and voices is what gives this its real power. (8/10)

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