Most of it plays out through interviews with gay men in the UK who lived through the eighties, guys who lost partners and friends to the virus, guys who got diagnosed themselves and ended up surviving long term, all of it happening in this climate of prejudice, ignorance, and outright panic that surrounded HIV at the time. But it's not only a story about suffering, it's also about how that suffering pushed the UK's gay community into action, leading to things like the Terence Higgins Trust, Body Positive, Act Up, and the founding of the London Lighthouse. One of the people interviewed is Jonathan Blake, the actor and LGSM activist that Dominic West played in Pride back in 2014, and West actually comes back here to provide the narration linking everything together in this film. Blake's closing in on seventy now and has been living with HIV for more than thirty years. He talks about how his activism actually started as a way to stay busy and distract himself from thinking he was going to die a painful death any day. A lot of the other people interviewed carry this weight of wondering why they made it when so many people around them, friends, lovers, didn't, and hearing them talk about it is genuinely gutting, stuff like losing the two most important people in your life within forty eight hours of each other. Or having people walk up to you every single night calling you Rock Hudson and asking when you're finally going to die because apparently that's what you deserve. Or describing a hospital ward completely full of young men dying from AIDS with absolutely nothing anyone could do to stop it. Or being nineteen years old and told you've got eighteen months left.
These stories matter, they're heavy and they're honest, and I'm genuinely glad these people got the chance to share them, but if there's a weak point here it's that the whole thing feels a little cheaply put together production wise. Still, it works as a real tribute to a generation that got wiped out, and to the people who stepped up and fought to make things more compassionate and fair, and it holds up as an important piece of recent social history. It's also a reminder that none of what we have now should be taken for granted. This is a solid way to educate people and build awareness around what these communities went through, while also giving credit to the people who actually took action back when most others looked away. The budget clearly wasn't huge, but like a lot of documentaries covering AIDS, this is still going to open a lot of younger viewers' eyes to horrors they never had to live through themselves. (6/10)

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