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Never Forget Your Enemy (Korean Series)

Let's just cut right to it, this show was painfully boring. There, I said it. A story built around partial amnesia has real potential, but between the choppy scene structure and random flashbacks thrown in constantly, the whole plot ends up feeling more tangled than it needed to be. The romance doesn't fare much better either, it's written so poorly that I never really found myself invested in this couple. Both leads come across stiff on screen and deliver their lines in a really awkward way. The show runs 8 episodes, each somewhere around 30 to 35 minutes. Hanuel, a 29 year old language teacher, wakes up after an accident only to realize his memory stops at age 19. It turns out he'd been in another accident back then too, which is why his memories cut off at that point. He has zero recollection of the fact that he's currently living with his childhood friend Saebyeok, who's now a huge celebrity. That makes the whole situation even harder for Hanuel to wrap his ...

Todos tenemos un muerto en el placard o un hijo en el closet (Spanish) [A Skeleton in the Closet]

This Argentinian film is a story of a dysfunctional family (what family is not!) but seen through the perspective of their eldest son who happens to be gay. This film, interestingly, is not about coming out, but sort of how relationships change after that between parents and children and even maybe within the siblings.

Manuel returns home earlier than originally planned for his parents big celebration of their 25th wedding ceremony. He secretly wants to ask them for money so he can visit his boyfriend in Europe. We find out that he had come out to his family sometime back. Even though everyone is happy to see him, he feels they are different. His sister is really happy to see him and they discuss various things. It's not like parents are unhappy but they just don't want to talk about either his sexuality or his boyfriend, despite various attempts by Manuel, which eventually frustrates him. Meanwhile, just after a day of coming home, Manuel's boyfriend dumps him leading to Manuel's existential crisis. The poster child for the parents is their second son, who is a budding tennis player in Europe. But Manuel soon finds out that the family is hiding the secret that their son impregnated his girlfriend and they are now trying to hide the whole thing not just from society but even their own son. Manuel finds comfort in his old teacher and starts seeing him but it's just a fling for the teacher. The other siblings have their own issues going on with the family. But when the father singles out the second son as their pride, Manuel blurts out the secret, giving an opportunity for introspection for the whole family. Feeling like the black sheep in his close-knit boisterous family, who all happily work together in their family-owned pasta factory, Manual’s trip home becomes an opportunity to reconnect with the family he thought he’d left behind.

This film is more about self discovery. It turns out Manuel doesn't want to be architect but he also doesn't know what he wants. His parents accepted that he is gay but he is not allowed to talk about that at home. Part of it I can understand. It is not easy for parents to just change their life long beliefs. It takes effort and patience. Now that would be a good topic to make a film on from parents point of view. I don't think they were entirely wrong. I wish we could know more about real reasons for Manuel's frustration. Was it him not finding love, was it the family, was it his own career uncertainties? It felt like it was a combination of all and this trip back home eventually turns out a good opportunity when re finally realizes that cooking is his real passion and he can even in fact make a living out of it. Manuel, both as a character and an actor, is a bit weird in first 20-ish minutes of the film but then grows on you. An actor with slightly more charm would have worked well. And whhy does he have to walk around with that fanny pack everywhere in that small town. It's 2020, for God's sake. All other actors do really well, especially the sister. There is not much graph to either the poster child or the youngest teen son who is pretty much in his own world.

The film is really about relationships with family and their expectations with a happy ending. After a clunky beginning, the film eventually is a decent watch. (6//10)

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