After a couple of years off, the creators finally dropped a third season of this show, oddly titled with 2024 in it for some reason I genuinely can't figure out. The story basically picks up right where things left off, following our lead Mobu as he keeps trying to survive inside this whole BL universe, just another character desperately trying not to fall for another guy. Season two left us with his relationship with Kikuchi, and this season kicks off right as Kikuchi heads off to university, which means Mobu's single again and honestly couldn't be happier about it. With six episodes, each running about 23 minutes, this is a quick, easy watch. Now that Mobu's back to being single, he's got to stay alert for every signal or trope that could end up pulling him into another relationship with a guy if he's not careful. So across these episodes, we watch him run into two of these signals per episode through the people around him and how they end up falling for each ...
Touted as an inventive collage approach mixing reality and fiction, I am not sure what is it that this documentary was really trying to say or achieve. Twi sis one of the most basic, very random documentary who ha son idea if it wants to tell a love story between two men or make a commentary on refugee crisis. The title of the film Jaurès refers to a prominent underground station in Paris.
A man and a woman are watching random video footage shot from someone's flat overlooking a canal. The footage has views of the street, the metro line running above it, buildings opposite and most prominently the Afghan refugees who have setup a make shift shelter at the two ends of the canal. Apparently the flat is of Simon, this man's lover whom he used to visit most nights. The documentary is a series of questions asked by the woman to this man Vincent watching footage asking him about his platonic gay relationship with the mysterious Simon while also looking at the refugees crisis. We never see Simon. We only hear how Vicent met him at a bar, slowly got together and would meet only at nights because they both had their personal life during the day. That's pretty much it.
Shot on digital video, the film is an improvised puzzle that not only tries to suggest what Jaurès neighbourhood in Paris is like, but also tries to conjure a picture of a love affair with someone who is not really seen, since the real Simon – whose name and life was changed for the film – never appears on screen. I am actually surprised that this weird documentary has actually won some awards. I saw someone made a comment online saying that this film is like a Poverty porn analysis by two people sitting in an AC studio. Shot from an Jaurès apartment, while also just sharing his love story with another man from whose apartment these footage were shot. And I couldn't agree more. This documentary is absolutely ridiculous. (1/10)

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