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On The Sea (UK)

By Golu
This one's a beautiful, tender, quiet romantic drama with a moody atmosphere, set in a tight knit Welsh fishing community. It's a touching story about a man waking up sexually in the middle of his life, and how he, his family, and everyone around him deal with it, which makes it emotional and sentimental without ever getting over the top. The slow burn plays out against a landscape that's as bleak as it is gorgeous, where quiet, closed off men are stuck inside rigid ideas of what masculinity should be. Some people might be reminded of "God's Own Country," but I think both films are lovely in their own way. Jack is a middle aged guy who co-owns a mussel farm with his rough around the edges brother Dyfan, and the tension between the two of them is simmering under the surface right from the start. Dyfan's three sons all help out with the work, while Jack's sulky teenage son Tom keeps skipping out. Jack's been with his wife since they were both 16, and...
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El Triunfo de Sodoma (Spanish) The Triumph of Sodom

By Golu
Movies in the name of political statements manifesting gender, arts and pornography is not my cup of tea. All I end up doing is roll my eyes and constantly winder why was this film made and is there really anyone out here who is going watch this and will have anything decent to say about it. Acually I am not even sure if this was really a ilm or a documentary. It felt neither honestly. 

I tried to make sense of what I just saw, and I could not so the synopsis below is being copied from internet. Goyo Anchou's film adjusts that bombastic beginning to its plot: a kid falls in love with a member of an anarchist cell, where everyone conspired to undermine the system of sexist and classist inequalities. What the film builds from there (with its documentary images of riots and anti-patriarchal slogans bombarding the screen) invokes the ancestors of militant cinema from the '60s and' 70s. But while the legacy of that Argentine tradition protected a hetero and masculine perspective, Anchou updates it from the vibrations of the present. Its axis is the elusive flow of genres and desire.
Beyond the theme, the film progresses with certainty. It takes that contemporary condition and processes it into its matter. 

All I understood was at some point our protagonist was a gay man who loves cock to the feminist revolution, death to the male (yes, public castration for all, but how we like the cock). Weird and definitely avoidable. I mean, come on, its 2020. Please don't take your audience for granted. (0/10)
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