This one's a beautiful, tender, quiet romantic drama with a moody atmosphere, set in a tight knit Welsh fishing community. It's a touching story about a man waking up sexually in the middle of his life, and how he, his family, and everyone around him deal with it, which makes it emotional and sentimental without ever getting over the top. The slow burn plays out against a landscape that's as bleak as it is gorgeous, where quiet, closed off men are stuck inside rigid ideas of what masculinity should be. Some people might be reminded of "God's Own Country," but I think both films are lovely in their own way. Jack is a middle aged guy who co-owns a mussel farm with his rough around the edges brother Dyfan, and the tension between the two of them is simmering under the surface right from the start. Dyfan's three sons all help out with the work, while Jack's sulky teenage son Tom keeps skipping out. Jack's been with his wife since they were both 16, and...
17 year old Klaus is a brilliant student and a gifted painter but to his father, who only understands money, Klaus is not normal since he doesn't bring home any girlfriend. Klaus spends most of his free time with Manfred, a low academic achiever raised by a relatively poor single mother. The two boys share an interest in the arts. Klaus protects Manfred from bullying as well. Klaus' parents get more worried when they learn that Klaus has been introduced to an antique dealer Boris, who hosts all male get togethers with electronic music and wrestling by young men. While the father takes matter in his hands by confronting Boris and suing him to having seduced his son, the mother is not far behind. With the help of their housemaid, Gerda, she devises a plan to seduce Klaus and turn him from his homosexual ways. Gerda successfully seduces Klaus and in effect turns him straight. Boris gets to know about that and sues the parents for procuration, hoping in vain to defend himself from the father's legal attack. In the end the mother is convicted while the art dealer is arrested - still without any reason and admittedly without a warrant.
I am not sure if the message was that homosexuality can be "cured" by a straight relationship, but I felt the film was definitely veering towards it. In some places you hear and feel that they are trying to show tolerant behavior, but to doesn't come across to obvious. But again, you can't ignore that this film is from 50's when situation in Germany was probably very different. It would be ridiculous to expect political correctness or an in-depth and realistic study of homosexuality from a movie released in 1957. It's hard to critically review a film of such nature. For folks who are interested in learning more and getting to know how over a period of so many years, perception of gays in cinema has changed, this would be a good film to watch. But of you are looking something for entertainment purposes and enjoying an evening of a movie, you may be underwhelmed. Take your pick. (4/10)
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