This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...
Marvin as a young boy is an outsider. He is bullied for acting like a fag and even his home atmosphere is not condusive for him to be himself. Alcoholic father and an indifferent mother makes his life not easy. Told us in non-chronological order, we put pieces together of various events in Marvin's life. A chance meeting at school with drsama teacher brings new zest in his life as he proceeds to acting and enjoys it. A regional drama academy comes next, where he enrolls to study after growing up. Marvin meets a visiting author Abel, whose book sounds very similar to his own life and becomes friends with him and his partner Pierre and moves to Paris, where they are his support system. Another crucial encounter for Marvin is meeting a wealthy older gay man who takes Marvin under his wings who introduces him to Isabelle Huppert. The wealthy man dies but Marvin develops a bond with Isabelle, who becomes his support and the duo act in a stage play that makes Marvin popular.
LIke I said, not showing the film in a chronological order makes this film a hodgepodge. It blends emotions with uncomfortable stabs at kitchen-sink drama and blissful scenes of sexual healing. The film is too long and it makes you a bit impatient and you wonder where is this actually heading. Marvin's childhood stories feel repetitive after a while and it fails to create the necessary impact. On a huge positive side, both actors playing young and adult Marvin are brilliant. They are a big saving grace, that keeps you slightly hooked into the narrative. Its supposed to be an emotional different coming-of-age story but its way too experimental and too long for me. The “reinventing” theme is weak. Of course, college is where you reinvent yourself. But Marvin hasn’t reinvented himself as such: he was always gay, that’s why he was bullied and now he has come out.
I am sure most critics will see this a masterpiece work of art and something that needs to be cherished but as an ordinary viewer this time, this film did not work for me. (4/10)
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