Is this technically a gay show? Even after getting through the whole thing, that's still kind of tricky to answer. There's never any physical intimacy shown between the two leads, not even a single kiss. What it gives you instead is something that goes way deeper than that. It traces an emotional bond that spans a full decade between two guys who are both dealing with their own baggage, and what they share basically amounts to being soulmates. The story moves across Japan, South Korea, and Berlin. Honestly, whether people want to call what they have a romantic relationship or not doesn't really matter to me. A relationship doesn't need a label like boyfriends attached to it to actually mean something. And closeness doesn't need to be physical to feel genuine. What this show captures is something quieter but way more powerful, a bond rooted in understanding, respect, and just showing up for each other. Across eight episodes, each running 35 to 45 minutes, this is one...
This was such a random experimental film. These are the kind of films that make me wonder that in the name of "different" cinema, some film makers are ready to offer all sorts of garbage and expect that audiences should lap it up. Come on.. we are better than that.
The film starts with a documentary style focusing on 22-something Chinese gay film maker who talks about his work and love life with an unseen friend behind the camera. The maker also gives an ode to his mother. Before you realize, the film shifts to showing 4 of the directors short films. "Hysterio Passio" shows images of men's passions. In "Matricide," a lawyer asks a young gay Chinese why he killed his mother on Christmas morning. In "Key in the Heart," a heroine (an Asian man in drag) pursues vampires. In "Fall, 1990," college students meet their roommates, and Jimmy, an edgy scholarship boy without a family, is slowly brought to an understanding of love by the callow Byron.
Yes, this is what the above film is about. A sheer waste of time. I had to fast forward and watch this piece of garbage. Besides the last short film, which was actually pretty decent, everything else about this film is total rubbish. The producers of this film need to extract the last short and release it as an individual gay short film and they will make more money. I really don't feel like wasting anymore of my energy by writing anything more about this film. Please don't waste your time on this one at all. (2/10)
The film starts with a documentary style focusing on 22-something Chinese gay film maker who talks about his work and love life with an unseen friend behind the camera. The maker also gives an ode to his mother. Before you realize, the film shifts to showing 4 of the directors short films. "Hysterio Passio" shows images of men's passions. In "Matricide," a lawyer asks a young gay Chinese why he killed his mother on Christmas morning. In "Key in the Heart," a heroine (an Asian man in drag) pursues vampires. In "Fall, 1990," college students meet their roommates, and Jimmy, an edgy scholarship boy without a family, is slowly brought to an understanding of love by the callow Byron.
Yes, this is what the above film is about. A sheer waste of time. I had to fast forward and watch this piece of garbage. Besides the last short film, which was actually pretty decent, everything else about this film is total rubbish. The producers of this film need to extract the last short and release it as an individual gay short film and they will make more money. I really don't feel like wasting anymore of my energy by writing anything more about this film. Please don't waste your time on this one at all. (2/10)

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