This one's a beautiful, tender, quiet romantic drama with a moody atmosphere, set in a tight knit Welsh fishing community. It's a touching story about a man waking up sexually in the middle of his life, and how he, his family, and everyone around him deal with it, which makes it emotional and sentimental without ever getting over the top. The slow burn plays out against a landscape that's as bleak as it is gorgeous, where quiet, closed off men are stuck inside rigid ideas of what masculinity should be. Some people might be reminded of "God's Own Country," but I think both films are lovely in their own way. Jack is a middle aged guy who co-owns a mussel farm with his rough around the edges brother Dyfan, and the tension between the two of them is simmering under the surface right from the start. Dyfan's three sons all help out with the work, while Jack's sulky teenage son Tom keeps skipping out. Jack's been with his wife since they were both 16, and...
There cannot be a more apt title for this film, which totally lives upto its title. As a Viewer, you really can’t figure out what’s the purpose of the film, where it is headed and what’s it even trying to say. A truly bizarre film. set in Brooklyn about a young immigrant boy’s story trying to find his identity in a new city.
Maurice, a reticent young homeless man, somehow manages to get by in Brooklyn; he spends his nights in parked cars until he finds himself at Bizarre, an underground club renowned for its burlesque shows. Maurice is fascinated by the club’s playful revues celebrating self-determined sexuality and creative otherness, and the two female club owners both adore him. He soon becomes a part of their self-selected family, and begins to bond with introverted Luka, who also works in the same place. But Maurice turns his back on Luka’s growing affection. There is a bit of jealousy when Luka gives in to Maurice’s straight friend who fucks anything that moves. Luka just cannot understand what is Maurice’s feelings towards him. Running away from his true emotions he drifts aimlessly through the city and in his boxing club. Unable to withstand the pressure of his repressed feelings, Maurice unleashes a mounting foment of emotions, pervaded by tenderness and menace. There is apparently some back story which we are never told about.
There are so many things that are ‘bizarre’ about this film. why did the girls end up approaching a random stranger to work with them and even live with them is a mystery. Luka, who forgets his keys one night, sleeps with Maurice but next thing we know is that he is pretty much moved in with him. What is Maurice’s past? Are the lesbian couple in open relationship or just teasing Maurice because he is so charmingly cute! We don’t know. Logic is not really the strong point of this film, for sure. The film is trying to not take any stand for anything; be it Maurice’s sexuality or other queer members, who strangely all have a double life. Maurice’s character is loosely defined and lack of no proper story track around him makes this film about nothing at all. Having said these, I thought the performances of all the actors was quite believable. They were god and yes Maurice was damn god looking in a twin sort of way. There are too many burlesque routines in the film, although few of them good, have absolutely nothing to do with the plot. The dialogues are minimal and most important events are captured via loud background music.
All we have here is yet another gay themed tragedy that is ‘bizarre’ in true sense, a senseless odd film with a very attractive lead character for eye candy. (2.5/10)
Maurice, a reticent young homeless man, somehow manages to get by in Brooklyn; he spends his nights in parked cars until he finds himself at Bizarre, an underground club renowned for its burlesque shows. Maurice is fascinated by the club’s playful revues celebrating self-determined sexuality and creative otherness, and the two female club owners both adore him. He soon becomes a part of their self-selected family, and begins to bond with introverted Luka, who also works in the same place. But Maurice turns his back on Luka’s growing affection. There is a bit of jealousy when Luka gives in to Maurice’s straight friend who fucks anything that moves. Luka just cannot understand what is Maurice’s feelings towards him. Running away from his true emotions he drifts aimlessly through the city and in his boxing club. Unable to withstand the pressure of his repressed feelings, Maurice unleashes a mounting foment of emotions, pervaded by tenderness and menace. There is apparently some back story which we are never told about.
There are so many things that are ‘bizarre’ about this film. why did the girls end up approaching a random stranger to work with them and even live with them is a mystery. Luka, who forgets his keys one night, sleeps with Maurice but next thing we know is that he is pretty much moved in with him. What is Maurice’s past? Are the lesbian couple in open relationship or just teasing Maurice because he is so charmingly cute! We don’t know. Logic is not really the strong point of this film, for sure. The film is trying to not take any stand for anything; be it Maurice’s sexuality or other queer members, who strangely all have a double life. Maurice’s character is loosely defined and lack of no proper story track around him makes this film about nothing at all. Having said these, I thought the performances of all the actors was quite believable. They were god and yes Maurice was damn god looking in a twin sort of way. There are too many burlesque routines in the film, although few of them good, have absolutely nothing to do with the plot. The dialogues are minimal and most important events are captured via loud background music.
All we have here is yet another gay themed tragedy that is ‘bizarre’ in true sense, a senseless odd film with a very attractive lead character for eye candy. (2.5/10)

Comments
are you serious about the sequel? run! run! run!