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Being at Home with Claude (Canadian French)

This one falls into that darker corner of gay cinema. There was real potential buried in here, but the execution feels so flat that at points it plays out more like a filmed stage play than an actual movie. It's a dark psychological drama built around a street hustler confessing to a brutal, confusing murder of his own lover. Black and white flashback sequences do a solid job laying out the details of what happened, but the real focus stays on the dialogue and the writing itself. Right at the start, a young hustler has already killed his male lover Claude. Three days go by before he calls the police to turn himself in for the murder. But instead of just reporting it somewhere ordinary, he actually summons the police and the local press directly into a judge's private chambers. Yves has keys to the place, which tracks given what he does for a living, but having the press waiting right outside makes the whole scene look like some elaborate blackmail scheme against the judge. The ...

Bokura no Ai no Kanade (Japanese) [Melody Of Our Love]

A film if done by an experienced director and well known actors, could have done wonders. A sensitive film about the growth of love between two music students with very different characters. One man who is not committed to love finds interest in another boy whose life is only dedicated to music. A very interesting plot can be created with this premise but the treatment also should be equally worth it.

Maki takes pain classes and is not very good in it. He is gay and not ashamed about it. The class also has Ruiku, who is the best on the class but is always quiet and never smiles or talks to anyone. Maki starts taking interest in him. Initially only for a hook up, he soon starts developing feelings for him and obsession to get his love. He gets Ruiku to give him piano lessons so that they could come physically together. Maki makes advances on him but Ruiku snubs back even though he likes it, saying he can only love music and nothing else. The music teacher also happens to be a screw ball and also has eyes for Ruiku. When Ruiku has a tragic accident and hurts his hand, he is in no position to give his final exams and the teacher refuses to change the exam date for him. The teacher suggests Ruiku to sleep with him if he wants the date changed but Ruiku leaves. Maki meanwhile is so in love with him, he forces himself to take care of Ruiku, even when the latter snubs him and doesn't like his coming to his house. When Maki finds out about Ruiku's childhood, he is determined to do anything to save Ruiku's career even if it means that he has to sleep with the teacher and get away from Ruiku's life forever for his sake.

Although the film doesn't end positive, but I think it was avery realistic ending. It gives you a feeling of reality ... the reality of impossible love between two men from very different world and values, and what true love leads to in the very end. I would really like to see , a good director taking this script and do something wonderful with it in the backdrop of some good music. Now that would be something very interesting to watch. As of this film is concerned, it left a lot to be desired right from acting, screenplay to the pace of the film.

A sensitive film which could be much much better. (3.5/10)

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