True to its title, this show tries to capture burnout not as some big dramatic collapse but as this slow, draining exhaustion that quietly eats away at relationships and how you see yourself, and honestly it makes the characters feel really real. The pace is slow on purpose, and everyone here is flawed and full of contradictions, nobody's simple. It uses this messed up boss and employee dynamic to sneak in some pretty smart commentary on society. The story digs into toxic work culture, mental health struggles, and how money ends up running our lives whether we like it or not. And yeah, there's a love triangle thrown in too, because of course there is. This one runs ten episodes, each around 45-55 minutes. Jira's twenty eight, broke, and struggling to make it as a painter. Nothing's going right for him, his art isn't selling, he's got no steady job, and he's basically on the edge of falling apart. His best friend Ing does what she can, finding him odd jobs an...
This was such a immature film. Everyone involved was trying too hard but just the whole premise, the acting and the direction was very very amateurish. And don't even get me started on the parents of the teenagers. They were so ridiculously horrible that I wonder what prompted the director to have any of those parents to be in the film.Nat and Tat are 2 high school friends. Nat is flamboyant and out to the world and the constant target of bullies because of it, with an unrequited crush on Tat. Tat is the nerdy studious one, on the college team. He is in closet but his parents hate that he hangs out with Tat rather than having some real friends. Tat's attention is drawn by Ek, the hunky college basketball star who has a girlfriend, but who shows up at an off-campus gay student meeting and - when he sees the others from his class - quickly claims that he went to the meeting "by mistake". But its apparent that Ek has interest in boys too. He manages to get Tat to tutor him . They get closer and in the process Tat learns about Ek's abusive father. Meanwhile, Nat continues to drop not-so-subtle hints to Tat that he likes him as more than just a friend, but is frustrated when his friend doesn't seem to get the message. Finally Ek gives in to Tat realizing that they are both very attracted to each other.
The film simply sticks to the issues in an understanding & affectionate way through the experiences & feelings of its three key characters. At the same time, because it doesn't include more graphic elements, RBM comes dangerously close to being an "afternoon special" bordering o 'boring'. I have already mentioned about the histrionics that the actors have put in the film. No one should waste a time on this. I can see this being a good story to read. Director probably needs some lessons himself.
Avoid at all cost. (1.5/10)
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