A Revry original, Unconventional is a really well-liked queer dramedy that feels totally different from the usual stuff. The heart of the story is about two pretty eccentric queer siblings and their partners trying to build a family that doesn't follow the traditional rules. It takes a super raw and unfiltered look at queer life, diving deep into things like mental health, addiction, and how complicated identity and relationships can get. It’s not afraid to get messy or show people at their most vulnerable, and it really pushes boundaries while showing a lot of different queer experiences. The first season has nine episodes, and each one is about a half-hour long. The story centers on Noah, a grad student who’s been struggling for years to wrap up his PhD. He’s been with his husband, Dan, for nine years, and they’ve recently gotten married and moved to Palm Springs. While they're trying to figure out how to start a family and have a baby, they decide to shake things up by in...
In a time, when Islam is under tremendous attack-from within and without-'A Jihadfor Love' is a daring documentary-filmed in twelve countries and nine languages. Muslim gay filmmaker Parvez Sharma has gone where the silence is strongest, filming with great risk in nations where government permission to make this film was not an option. A Jihad for Love is the first-ever feature-length documentary to explore the complex global intersections of Islam and homosexuality.
Th film follows through the lives of few gay Muslim men and the trials and tribulations that they have ha to face in life because of being gay. They are from various Muslim countries and various society levels. Jihad for Love doesn't seek to vilify or reject Islam, but rather negotiate a new relationship to it. In doing so, the film's extraordinary characters point the way for all Muslims to move beyond the hostile, war-torn present, toward a more hopeful future. The individuals we meet only too briefly in the film are remarkable not just for their courage but in also the honesty with which they approach the camera. The thematic elements of weaving in celebration and despair are remarkable and the filmmaker successfully engages with a wide canvas of possible audience emotions.
Its definitely a film that is an eye-opener. (6/10)
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