This one's a beautiful, tender, quiet romantic drama with a moody atmosphere, set in a tight knit Welsh fishing community. It's a touching story about a man waking up sexually in the middle of his life, and how he, his family, and everyone around him deal with it, which makes it emotional and sentimental without ever getting over the top. The slow burn plays out against a landscape that's as bleak as it is gorgeous, where quiet, closed off men are stuck inside rigid ideas of what masculinity should be. Some people might be reminded of "God's Own Country," but I think both films are lovely in their own way. Jack is a middle aged guy who co-owns a mussel farm with his rough around the edges brother Dyfan, and the tension between the two of them is simmering under the surface right from the start. Dyfan's three sons all help out with the work, while Jack's sulky teenage son Tom keeps skipping out. Jack's been with his wife since they were both 16, and...
This was not only a silly film but also quite bad actually. It started off decent but pretty soon , it was all over the place. It was trying to cram up way too much into its short 90 minute duration. Gay, straight, jealous fiancé, career, mafia, news reporting etc etc.
Story is simple. Two life long friends are in their early 30s and are not doing well in life. Ricardo is a wanna designer and Frederico is a massive failure with a younger brother to take care of. One day Fred sees an article in a paper providing grant for young businessmen. They decide to partner to open up a fashion house, but pretty soon they realize that the grant is open for only couples. Because of intervention by newspaper director (who is closet gay himself), they decide to pretend to be gay. Ricardo's girlfriend freaks out and meanwhile an investigative journalist starts falling for Frederico. Soon their secret is out, but an emotional speech by the director, their grant stays and the two friends soon become successful.
The film was really lame. A lot of scenes were happening just for the sake of it. And a lot of sudden flashback scenes would show up, terribly disrupting the flow of the film. The film also lacked coherent continuity of the scenes unfolding. If the target of this film was gay audience, I hate to say that it was a failure, since pretty much no time is devoted to that part. They just pretend to be gay, but no funny scenes or gags follow which is what usually happens in such films. The whole mafia angle, the reporter and the flashback killing of the family was all so confusing and random and wasn't needed at all. I wonder what the makers were thinking when they made the film. To be honest, I really wouldn't out this in queer cinema anyway. (3/10)

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