This one's a beautiful, tender, quiet romantic drama with a moody atmosphere, set in a tight knit Welsh fishing community. It's a touching story about a man waking up sexually in the middle of his life, and how he, his family, and everyone around him deal with it, which makes it emotional and sentimental without ever getting over the top. The slow burn plays out against a landscape that's as bleak as it is gorgeous, where quiet, closed off men are stuck inside rigid ideas of what masculinity should be. Some people might be reminded of "God's Own Country," but I think both films are lovely in their own way. Jack is a middle aged guy who co-owns a mussel farm with his rough around the edges brother Dyfan, and the tension between the two of them is simmering under the surface right from the start. Dyfan's three sons all help out with the work, while Jack's sulky teenage son Tom keeps skipping out. Jack's been with his wife since they were both 16, and...
Absolutely DO NOT waste your time on this one. This is NOT a BL by any means, do not get fooled by the poster. There is only a slight hint, but only if you, like me, are looking for it. A two part mini series of about 30 minutes each, the intention was probably nice but execution is clearly very amateurish with a pale thin plot suitable for just a short story. Thankfully the performances were ok.
Four friends decide to go in the countryside for a short holiday and find a really remote rural homestay to live in. The son of the owner runs the place which is going through a rough time given the pandemic. Soon the boys find out that their boy and his mother owe a huge debt to a loan shark and if not paid in time they will lose the place. One of the four boys, feels a little drawn towards the village boy and helps him redesign the homestay and even helps him monetarily to save the homestay. They become friends and promise to meet again in future.
With a little tighter script could have been a an amazing short film and with a message, but it was beyond stretched for no reason. No character establishment was done. It was a different setting from the usual Thai universities bullshit but that doesn't make everything better. The one good thing was the village boy. Dorky, nerdy and very average, he would force a smile throughout in front of the visitors but at the same time, he was able to show the troubles and problems he is going through internally to save his family home. You never know what kinds of sadness is hidden behind every smile. The guy was good. Rest everyone was strictly ok. Could there be a blossoming romance between the two boys, maybe, maybe not. But It didn't hold me attention short enough to even care. (2/10)

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