This is your typical indie coming-of-age tale about a teenager, though it’s clearly working with a very tiny budget. Set within a migrant family living in Southern California’s Coachella Valley, the movie digs into how fragile old-school traditions and expectations can be. We follow a teenage son as he goes through the process of coming out and struggles to find acceptance while dealing with homophobia, domestic abuse, and a messy love triangle that involves his own sister. Goyo is seventeen and just about to graduate from high school. Since he’s been a bit more feminine since he was a little kid, he’s always had to deal with emotional and physical transition from his dad, Ramon, who is obsessed with him being "a man." The only real love he gets is from a lady next door who actually respects him for who he is. The family lives in a Mexican community where everyone works on a grape farm, but things get shaken up when a new guy named Lucio arrives. Lucio basically seduces Goyo ...
Films on AIDS are more often than not tear jerkers. This film is almost in the same mould but with added debate about euthanasia. There is a reason that this topic is still debatable, because who decides what's best for you when you are already dying. The film seems like a low budget film, but it keeps your attention.
When few AIDS patients die under similar circumstances, The DA's office believes they may her been due to assisted suicide, which is illegal in New York State and so Nicola (Nick) is assigned to investigate this case. She picks Matt Shapiro's case who recently passed away and starts interviewing people he was connected with. She meets Brian, who was Matt's caregiver and lover who runs Chelsea's HIV support clinic. She then reaches out his family and talks to his mother and his sisters. Every interview raises more questions than answers and in between all these conversations we see flashbacks of Matt's life, his coming out, telling family about him being sick and how things progress from there. He moves back home where his mother provides him with full time care-giving. The film ends with the so called "party" where he will say goodbye. When many of the suspects name themselves as perpetrators, the police has to let them all go. It's only then Matt's mother tells the truth of what really happened that night. The fatal IV drip is overdosed and then people around him have to take a quick decision.
The half hour towards the end is full of tear-jerking moments. How an individual struggles with the reality, how his friends and family react and come together in such times to show their support. The script is very well written and it poses some important questions. Nick's own family issues when her father was sick brings another interesting perspective. It's definitely a film far more concerned with its own social/political impact than it is with being a technically "good film," but it accomplishes its goals well and with a story that is consistently engaging. The production is average, but you still feel for the protagonist. The ending does surprise you on what really happened but part of you willingly processes it and maybe even agrees to it. Who is to judge what's right or wrong in this case.
For anyone who has dared to stay close to those dealing with HIV/AIDS, right to the gritty end, you'll find this a draining, rewarding, amusing, heart breaking reflection of your experiences. The film is about love, compassion, imperfections and being there for one another. (6/10)

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