This is your typical indie coming-of-age tale about a teenager, though it’s clearly working with a very tiny budget. Set within a migrant family living in Southern California’s Coachella Valley, the movie digs into how fragile old-school traditions and expectations can be. We follow a teenage son as he goes through the process of coming out and struggles to find acceptance while dealing with homophobia, domestic abuse, and a messy love triangle that involves his own sister. Goyo is seventeen and just about to graduate from high school. Since he’s been a bit more feminine since he was a little kid, he’s always had to deal with emotional and physical transition from his dad, Ramon, who is obsessed with him being "a man." The only real love he gets is from a lady next door who actually respects him for who he is. The family lives in a Mexican community where everyone works on a grape farm, but things get shaken up when a new guy named Lucio arrives. Lucio basically seduces Goyo ...
The film starts with an accident, in which Soo-hyun goes into coma. His friend Yoon-hoji survives and then we go into flashback. Soo-hyun lives with his mother whose husband left her and it was 4 years ago that Soo-hyun introduced Yoon-hoji to his mother as his friend. As the friendship grows, Soo-hyun's mother soon finds herself to be a motherly figure for Yoon-hoji also. Time progresses during which individually both the boys spend time in college and then Soo-hyun goes to mandatory military service, but during these times, Yoon-hoji makes a point to meet the mother and also both Soo-hyun and Yoon-hoji make sure to spend some time with each other. Only slowly we realize. that the two boys are actually romantically involved as well and it was during one of their romantic weekend trips that this accident happens. When the mother accidentally sees the boys together on camera after the accident, she understandably shows a restraint and distance from Yoon-hoji and asks him to not meet her son Soo-hyun who is still in coma. At one point, she flatly asks him not to come to see her and her son again, and she subsequently moves her son to a facility located in some remote rural area. Few weeks later Yoon-hoji finds out where the 2 shifted and he decides to show up despite the mother's refusal. By this time the mother is also tired taking care of her son all by herself and reluctantly becomes a little more relieved than before as Yoon-hoji willingly helps her taking care of her son. The distance soon transcends between the mother and Yoon-hoji. She wants to know more about her son's relationship. Soo-hyun eventually opens his eyes and soon strats recuperating with love and support from his love and his mother.
As mentioned above, this film could easily have been your average over the top melodrama, but the movie wisely goes for quiet intimate drama instead of resorting to sappy sentimentalism or overwrought melodrama. And this is what I loved the most about the film. Not even a single instance is shown uberly dramatic. There is only one scene where the mother gets frustrated and lets out anger but even then the film continues to engage us with small nuanced moments to observe. The pace of the film is consistent and not all cards are laid out in front of us. We find out slowly the details which also helps us understand better where everyone is coming from. The story is not new but the treatment and sensitivity is fresh. I liked the non-linear narrative and acting by all the actors, primarily Yoon-hoji and the mother was really good. Yoon-hoji's co-worker's track was completely unnecessary and that could have helped trim the film a little. I got a warm feeling seeing the love between the two men and how they both also balanced their love and respect for the mother and not putting themselves in her face all the time. Both Yoon-hoji and the mother have their own emotional journeys as a lover and a mother, but its their interaction with each other which makes this film very endearing.
This film shows us how complex human relationships can get especially when they have someone common binding them. Be patient and this film can actually surprise you with the maturity with which the subject has been handled and delivered. (7/10)
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