This one's a beautiful, tender, quiet romantic drama with a moody atmosphere, set in a tight knit Welsh fishing community. It's a touching story about a man waking up sexually in the middle of his life, and how he, his family, and everyone around him deal with it, which makes it emotional and sentimental without ever getting over the top. The slow burn plays out against a landscape that's as bleak as it is gorgeous, where quiet, closed off men are stuck inside rigid ideas of what masculinity should be. Some people might be reminded of "God's Own Country," but I think both films are lovely in their own way. Jack is a middle aged guy who co-owns a mussel farm with his rough around the edges brother Dyfan, and the tension between the two of them is simmering under the surface right from the start. Dyfan's three sons all help out with the work, while Jack's sulky teenage son Tom keeps skipping out. Jack's been with his wife since they were both 16, and...
When I started watching the film, I wasn’t aware of it being a sequel. Only 15 minutes into the film, I realized the fact and so had to go read my review of the original film to jog my memory. Now that I remembered the original story, this film started to make more sense. This time, however, the focus of the movie isn't really the gay guys; but it's the women dealing with the aftermath of how the first movie ended. Of course, gay characters are still integral to this story.
The new gay on the block Eli, kind of accidentally rents himself Corin & Jake’s old apartment. He interviews with Judith (Elliot’s mom) and somehow starts getting injected into Eliott’s life. Judith’s negative attitude toward her son's sexuality in the first film was a chief ingredient to the tragedy that ensued. Enter an old man, George, who is introduced as Eli’s father, starts dating Corin’s former co-worker Nancy. But something doesn’t feel right. Neither father-son relationship and nothing else. When murders start happening, it is soon revealed that George is actually Eliott’s father, Judith’s ex-husband who had left family years ago when he had come out. Eli was just his sugar baby who he was paying.
October Moon was one of the better low-budget films I've watched, with a decent plot, locations, and acting. This sequel, however, just wanders about till the very end when something meaningful happens.It is more like a B-grade horror movie with an unrealistic plot, and terrible acting and direction. I feel so robbed of my precious 90ish minutes that even writing this review seems a task now. It's one of those dreary productions which is all talk with no 'meat' to the story and not even decent horror to talk about.
This one is totally avoidable even if you thought the prequel was a decent film, which it was. (2.5/10)
The new gay on the block Eli, kind of accidentally rents himself Corin & Jake’s old apartment. He interviews with Judith (Elliot’s mom) and somehow starts getting injected into Eliott’s life. Judith’s negative attitude toward her son's sexuality in the first film was a chief ingredient to the tragedy that ensued. Enter an old man, George, who is introduced as Eli’s father, starts dating Corin’s former co-worker Nancy. But something doesn’t feel right. Neither father-son relationship and nothing else. When murders start happening, it is soon revealed that George is actually Eliott’s father, Judith’s ex-husband who had left family years ago when he had come out. Eli was just his sugar baby who he was paying.
October Moon was one of the better low-budget films I've watched, with a decent plot, locations, and acting. This sequel, however, just wanders about till the very end when something meaningful happens.It is more like a B-grade horror movie with an unrealistic plot, and terrible acting and direction. I feel so robbed of my precious 90ish minutes that even writing this review seems a task now. It's one of those dreary productions which is all talk with no 'meat' to the story and not even decent horror to talk about.
This one is totally avoidable even if you thought the prequel was a decent film, which it was. (2.5/10)

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