A Revry original, Unconventional is a really well-liked queer dramedy that feels totally different from the usual stuff. The heart of the story is about two pretty eccentric queer siblings and their partners trying to build a family that doesn't follow the traditional rules. It takes a super raw and unfiltered look at queer life, diving deep into things like mental health, addiction, and how complicated identity and relationships can get. It’s not afraid to get messy or show people at their most vulnerable, and it really pushes boundaries while showing a lot of different queer experiences. The first season has nine episodes, and each one is about a half-hour long. The story centers on Noah, a grad student who’s been struggling for years to wrap up his PhD. He’s been with his husband, Dan, for nine years, and they’ve recently gotten married and moved to Palm Springs. While they're trying to figure out how to start a family and have a baby, they decide to shake things up by in...
Not sure if this film was supposed to be a comedy film or not, but I definitely did not laugh at any of the jokes. I guess when it came out in 1992, there weren’t many openly gay movies, especially in the genre of vampires; so it probably was a refreshing change. But watching it now, feels like a drag of time, camp film, bad direction. Although story is slightly novel and interesting.
Jake Hunter has strange fascination for vampires. Even when he has a hot guy next to him wanting to hook up, all he can talk about is vampires. He is stoked by the idea that there are vampire in LA and he fancies himself as the very model of a modern-day fearless vampire killer. He goes to a count’s home in search of vampire with all his killer bag but there he meets Leslie, who is a hustler hired by the count for his servant Manfield. Jake and the count have this weird connection but its soon clear that the count is actually a vampire. Jake brings Leslie home with him when he gets too drunk at night and hatches a plan with him to kill the vampire. But Jake feels attracted to the Count and cannot kill him. Count soon realizes what was the original motive for Jake to come to this home. But things improve when Leslie and Manfield eventually find love with each other. And vampire decides to leave the world just so that he can spend a little extra time with his love Jake.
Shot straight to video, this film is clearly very very low budget and shot in just 2 houses. It has a decent story but a very vague ending which I don’t mind, because I had completely lost interest in the film by the time it ended. The cast take virtually every gay stereotype, make it their own and throw it at the camera. I don’t think this film holds either entertainment or nostalgic value for folks looking for meaningful or guilty pleasure entertainment. Completely avoidable. (2/10)
Jake Hunter has strange fascination for vampires. Even when he has a hot guy next to him wanting to hook up, all he can talk about is vampires. He is stoked by the idea that there are vampire in LA and he fancies himself as the very model of a modern-day fearless vampire killer. He goes to a count’s home in search of vampire with all his killer bag but there he meets Leslie, who is a hustler hired by the count for his servant Manfield. Jake and the count have this weird connection but its soon clear that the count is actually a vampire. Jake brings Leslie home with him when he gets too drunk at night and hatches a plan with him to kill the vampire. But Jake feels attracted to the Count and cannot kill him. Count soon realizes what was the original motive for Jake to come to this home. But things improve when Leslie and Manfield eventually find love with each other. And vampire decides to leave the world just so that he can spend a little extra time with his love Jake.
Shot straight to video, this film is clearly very very low budget and shot in just 2 houses. It has a decent story but a very vague ending which I don’t mind, because I had completely lost interest in the film by the time it ended. The cast take virtually every gay stereotype, make it their own and throw it at the camera. I don’t think this film holds either entertainment or nostalgic value for folks looking for meaningful or guilty pleasure entertainment. Completely avoidable. (2/10)

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