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On The Sea (UK)

By Golu
This one's a beautiful, tender, quiet romantic drama with a moody atmosphere, set in a tight knit Welsh fishing community. It's a touching story about a man waking up sexually in the middle of his life, and how he, his family, and everyone around him deal with it, which makes it emotional and sentimental without ever getting over the top. The slow burn plays out against a landscape that's as bleak as it is gorgeous, where quiet, closed off men are stuck inside rigid ideas of what masculinity should be. Some people might be reminded of "God's Own Country," but I think both films are lovely in their own way. Jack is a middle aged guy who co-owns a mussel farm with his rough around the edges brother Dyfan, and the tension between the two of them is simmering under the surface right from the start. Dyfan's three sons all help out with the work, while Jack's sulky teenage son Tom keeps skipping out. Jack's been with his wife since they were both 16, and...
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Quelques jours de répit (French) [A Few Days Of Respite]

By Golu
Sometimes, a stillness in a film is all it needs to tell a heartfelt story. It does not have to be heavy on dialogues. I mean they help, of course, but sometimes you just have to let the viewers sink into the characters and their life and miseries. The film shows what 3 individuals go through in their heart, their pain, their heartache and longing and also some decisions that you have to take in life even unwillingly.

A middle aged gay couple, Mohsen and Hassan flee Iran illegally to France to avoid a death sentence. They find themselves in a small village in France. They decide to travel separately for safety reasons. Mohsen, who speaks French fluently, meets an elderly Lady Yolande on the train and they strike up a conversation. In a spur of moment, she offers Mohsen a job in her house to paint. They both need extra income, so they stay in the village in a cheap hotel and Mohsen goes to work while Hassan stays in the hotel. The next day since Yolande is out, Mohsen takes Hassan to her house but he has to lock himself up in the attic when Yolande comes back. Clearly Yolande has been longing for a man which is more than evident when she offers Mohsen to marry her so that he can get papers. They both end up getting physical that night which is witnessed by Hassan. The 3rd day police catch Mohsen for having no paper and he does not contest. When Yolande comes to meet him, he says that he is ok to go back to Iran but he would really like if she could take care of a very good friend of his, Hassan. She agrees but Hassan wants otherwise. He ends up boarding the same train that cops are taking to deport Mohsen back to Iran.

The performances in the film are subdued, full of grace and subtlety. Majority of the film combines intimate character studies of all the individuals. I got the impression that Mohsen purposefully gets himself caught because he does not want to either leave Hassan or be disrespectful to Yolande. Plus he realizes that Hassan had seen him with Yolande, so maybe he does not want to be with Mohsen anymore. But by his actions in the end, Hassan proves that whatever happens, he will always follow Mohsen wherever he goes. The pacing of the film is extremely extremely slow. I have an appetite for god cinema but this one for me particularly was very slow. It was visually beautiful and handles the subject of longing in middle age with grace without heavy dialogues going back and forth. It does calm you.

This film will definitely make you think. (5.5/10)
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