This is the second vertical AI BL drama I've sat through, and honestly I went in knowing better. I had it on while I was doing cardio at the gym, and what struck me was just how much the plot echoed the last one I watched. Same step brother romance angle, same mystery girlfriend showing up near the end, same extra guy pining after one of the leads. Genuinely the only thing going for it was the runtime, the whole thing wrapped up in forty five minutes flat. The setup kicks off with Finn moving schools because his mom just married into money. He finds out his new step brother Aiden goes to the same place, and he's warned to keep his distance from him. Their first run in at school is rocky, just like you'd expect, but there's this odd pull between them neither can shake off. Finn keeps telling himself not to read into it because Aiden's straight and openly homophobic. Things shift when some kids start bullying Finn and the student council president, Ryan, steps in to ...
Goyo is seventeen and just about to graduate from high school. Since he’s been a bit more feminine since he was a little kid, he’s always had to deal with emotional and physical transition from his dad, Ramon, who is obsessed with him being "a man." The only real love he gets is from a lady next door who actually respects him for who he is. The family lives in a Mexican community where everyone works on a grape farm, but things get shaken up when a new guy named Lucio arrives. Lucio basically seduces Goyo and uses him for sex, but things take a dark turn when Goyo finds out that Lucio has also been secretly seeing his twin sister. This bisexual guy plays them both but eventually ends up marrying the sister, which obviously leaves Goyo crushed. However, once the truth about Goyo and Lucio’s hookups finally comes out, it forces Goyo to stop hiding and embrace who he is, even with his father’s hate.
The title refers to a "waterberry," which is a type of grape that gets watery and soft when it’s ripe. They’re useless for making wine and usually just get tossed out. It’s a quiet metaphor for Goyo—someone his culture sees as useless or discards because they don't have a place for him. Since this is a true indie film, the guerrilla style of directing makes it feel almost like a documentary. The dialogue and the way the Mexican American characters interact feel very genuine. It’s pretty unique because it gives a realistic look at the politics within Spanish-speaking migrant communities and uses a cast of local, non-professional actors. Their acting is a bit hit-or-miss, but a few of them actually show some real potential. The movie tries to juggle a lot of big topics, like being LGBTQ+ in a Latino immigrant family, the pressure of "machismo" culture, the tough reality of farm labor, and the clash between kids wanting to fit in and parents holding onto tradition. It definitely lacks a polished look, but you can tell it’s trying to be authentic.
It’s a rough-around-the-edges project that’s still worth a watch as long as you keep your expectations in check. (4.5/10)
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