This is the second vertical AI BL drama I've sat through, and honestly I went in knowing better. I had it on while I was doing cardio at the gym, and what struck me was just how much the plot echoed the last one I watched. Same step brother romance angle, same mystery girlfriend showing up near the end, same extra guy pining after one of the leads. Genuinely the only thing going for it was the runtime, the whole thing wrapped up in forty five minutes flat. The setup kicks off with Finn moving schools because his mom just married into money. He finds out his new step brother Aiden goes to the same place, and he's warned to keep his distance from him. Their first run in at school is rocky, just like you'd expect, but there's this odd pull between them neither can shake off. Finn keeps telling himself not to read into it because Aiden's straight and openly homophobic. Things shift when some kids start bullying Finn and the student council president, Ryan, steps in to ...
This is a very different film. It shows the role of a parent in our modern society, the role of a child, the relationship, the friendship. Its a story about a father and son, so comes the question why is this a gay film? Well, The best friend of the father happens to be gay, so the film on a side also focuses on gay-straight men friendship and how it can all be pure, real and unapologetic. MartÃn is a wealthy writer who left his family in Buenos Aires five years ago to live and work in Madrid. He has a nineteen year old son Hache who is a restless, foundationless teenager who refuses to go to school preferring to simply play his electric guitar and run with the drug crowd. His mother has remarried and has a new baby and Hache is feeling like a third wheel. He accidentally overdoses on alcohol and drugs and his mother notifies MartÃn that Hache has attempted suicide to induce MartÃn to return to Buenos Aires and take back his son Hache. In Madrid, MartÃn has been living the life of a re...