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Stop! That! Train!

Coming out of the same studio that gave us RuPaul's Drag Race, and stacked with a whole crew of former contestants, Stop! That! Train! plays like RuPaul basically taking a bow for the entire franchise she's built. It's not really a gay film in the traditional sense, but with so many drag stars from Ru's shows popping up alongside a few cameos from well known out gay actors, I figured it earns a spot on this blog anyway. The whole thing is completely over the top, packed with GenZ slang, loud flashy visuals, and humor that's constantly winking at you knowing how ridiculous it is. Going in you'd assume it's meant to be a laugh riot, and a lot of critics online seem to be eating it up, but I just couldn't get into it at all. I've never really been someone who vibes with campy silly stuff like this, so honestly my reaction doesn't surprise me one bit. The setup follows Tess and DeeDee, two low level stewardesses who sneak onto the fancy Glamazonian E...

Obsessed With You (Vertical BL Drama)

This vertical gay drama claims to be a US production, but every character has a thick accent that makes me think the cast or the entire crew was actually from Eastern Europe. I tried to look up more details about where it was filmed, but I couldn't find anything. The official summary describes it as a story where a lonely dancer and a troubled cop find a connection through lies and danger, starting with a rescue that turns into a risky attraction. I’ve definitely seen the lead actors in something else before, though I can't put my finger on what it was. Let's get into the plot and what I actually thought about it.

The story follows Tino, a young nightclub dancer who is stuck under the thumb of a brutal club owner. This guy uses debt and intimidation to keep Tino in line and was apparently a friend of Tino's late mother. Tino feels a massive weight on his shoulders because he’s desperate to help his sister, who is really sick, so he just stays quiet and tries to survive. During a raid on the club, he crosses paths with a police officer named Brendon who is dealing with his own moral struggles. Brendon shows him a bit of kindness, and that one moment of empathy starts a spark between them that they can't seem to shake. Brendon really wants to help Tino and his sister, but he’s totally confused by his feelings since he’s supposed to be straight and is already engaged. Still, he can't stop thinking about Tino. It turns out the club owner is hunting for a stash of money Tino’s mom supposedly left behind, though Tino has no clue it even exists. Brendon and Tino start team up to figure out the owner's secrets and what he’s really after. Along the way, you get the typical drama for these vertical shows—the sick sister gets kidnapped and Tino is blackmailed—but Brendon stays by his side to help him uncover the truth and escape the mess.

The plot kept me interested and the big twist at the end was pretty much what I expected, but there honestly wasn't a lot of heart in the romance. While Brendon seems totally obsessed with Tino, it felt like Tino was only sticking around because the guy was helping him out. The story doesn't really give Tino a good reason to actually fall for this older man. On top of that, the sex scenes felt totally out of place. One minute Tino is frantic and trying to find his missing sister, and the next second the two of them are suddenly tearing each other's clothes off and sleeping together. It made zero sense, and I’m surprised nobody caught how weird that transition was during editing. There were plenty of other moments where a scene like that would’ve actually fit the mood. The actors did a decent enough job, and by now, we all pretty much know what we’re getting into with these vertical dramas. I was actually shocked that Brendon’s fiancée didn't turn out to be some evil villain, which is a trope these makers usually love to jump on. I'm kidding, of course! We still got the "sick sister" plot point, which I feel like I see in more than half of these shows lately. Overall, it’s just a "time pass" watch and another entry in the endless factory of English-language BL content.

It's a typical vertical drama that hits all the usual beats but fails to make the central romance feel believable or well-timed. (4/10)

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