I've always had kind of a love hate relationship with Chinese historical BLs. Some are genuinely excellent, but then there are others that cram in so much plot that keeping track of all the layers of betrayal and scheming gets exhausting, and I end up checking out mentally. Part of the issue is also just how much content is out there in this space, so something really has to stand out to keep me hooked. In this case, the production value is genuinely impressive, top tier stuff, but story wise, I just couldn't bring myself to actually care about these characters. There's a ton of political scheming and backstage manipulation running throughout. Somewhere in the middle of all that chaos, a hostage ends up falling for his own Prince Charming. The show runs eight episodes, each around 50 to 60 minutes long. After spending three years guarding the border, Fifth Prince Yin Qi gets called back to the capital because of a secret letter, only to end up walking straight into a deadly...
Its interesting how India film makers are slowly bringing in more gay characters interwoven into the story and treat them with respect rather than making a mockery or caricatures like how it has been happening for many years now. This film is not primarily a gay cinema but the chapter in the middle of this film brings so much freshness and love in an otherwise heavy violent film. The director makes some powerful statements about emotions, love, sexuality guilt and greed. Mulla is a young teenager in the beautiful Lakshwadeep and in craving to find the older brother Akbar, makes a risky trip to Mumbai. The latter, seen as both an outcast and a legend by the locals, had left his home long ago. Trying to escape the evils of Mumbai, not understanding the language, Mulla get stuck between prostitute Rosie and Bhai, the gangster who everyone dreads in that slum area. Bhai tries to sell Mulla to make money and Mulla tries to escape. When Mulla finally tells Bhai that she is actually a gi...